These sketches were a must before the clock strikes midnight. Here I was thinking I didn’t have time to complete the objectives that I set myself at the beginning of this brief – (see previous posts).
I intended to practice my drawing skills with this project, and found that through these charcoal sketches of the 3D marquettes, (in previous post) my confidence in my ability has improved. Even though I don’t have enough time to draw every outcome in this series, at least I have overcome my block of putting marks down on paper.
We shriek about them, slap and spray them, and generally think of insects (when we think of them at all) as pests. Yet if all insects, or even a critical few, were to disappear – if there were none to pollinate plants, serve as food for other animals, dispose of dead organisms, and perform other ecologically essential tasks – virtually all terrestrial ecosystems on Earth, the webs of life, would unravel.
There is no way to predict what would replace them. But there is no doubt that without insects the world would be radically different and far less friendly to us humans, assuming that we could survive at all.
Waldbauer, G. (2003) What Good are Bugs? Insects in the Web of Life. London, UK. Harvard University Press
With small object sculpture in mind, can you imagine where I am heading with this?
Born in Japan 1961, Kahori Maki is an acclaimed artist/designer, having produced many works in various disciplines including illustration, installation, painting, graphic design, and object design. Working as an active freelancer since 1994, Maki has collaborated with leading brands and companies such as Designworks, Shiseido, Levi’s and McDonalds.
In addition, Maki has been working on Solo exhibitions and her works have featured in numerous fashion and design magazines. Her un-mistaking recognisable style is seen extensively in posters, commercial advertising, window displays, interior walls of buildings, fashion shoot back drops, textile prints and even on cars. This month, Maki’s work covered the walls of an entire warehouse for an audio-visual event in Brooklyn.
Maki’s stylised imagery, regardless of where she features it, is striking and tends to provoke mystery with its edgy, dark, fluid and organic forms. Her designs depict nature in its beautiful power and seductiveness, portraying the exotic and the eerie. Maki’s designs are always nature inspired, but her signature monochromatic illustrations are far from traditional depictions of nature.
(Maki is) one of the first fashion illustrators to identify the dramatic impact of the natural forms through dark monochromes rather than the more traditional soft pastels
Furthermore, Maki juxtaposes her work by placing it in the extreme urban environment or context – factoring in her philosophical concept of how urban life is deficient of nature. A concept marvellously complimented by the surreal and dark moody nature of her work, portraying her deep connection to the less desired aspects of nature.
I am not afraid of looking into the shadows and shedding light on the beautiful creatures that live in the twilight worlds
Maki talks about connecting the aspects of nature to a part of the human soul, and I interpret her work as an expression of the depth and mystery contained therein. I find myself also connecting this quote above to the human soul, and what may lay within the darkest corners. I too, am not afraid of looking into the shadows of my own soul and shedding light on what may be there. What beauty and treasures are still yet to be discovered?
Finally, I am inspired by Maki’s love of nature and the darkness of it that some may find oppressive or grotesque. Many of her works convey to me the idea of portals into other worlds. She expresses the melancholic with such elegance; one cannot help but be allured into the realms of swirling, meandering lines and forms.
The work of Maki has influenced my current project significantly. I have drawn upon her concept of combining animal and insect life with fauna and flora, and placed the bold outlines of them in a perfectly random occurring pattern. This research has led me to have confidence in taking an organic and bold approach to pattern, and I have explored and developed numerous possibilities for an outcome in this brief, of which I hope to experiment with further in the future. For the mean time, lets see how my project for ‘Pattern Universe’ has developed.
Watch this space.
IdN. Wayfinding+Signage: Kahori Maki. IdN , v17 (n5), 56-57.
Maki, K. (2010). Works. Retrieved May 28, 2013, from Kahori Maki: http://www.k-maki.com/
Quinn, B. (2009). Textile Designers: At the Cutting Edge. London, UK: Lawrence King Publishing.